Tag: Robyn Hitchcock

A third installment of Version Control, our semi-regular exploration of tribute and imitation.

Like light glinting off a distant wave, La Luz bring you a realm of possibilities.

We’re starting out with new music from Beatsteaks, who are taking on the Fun Boy Three’s “The Lunatics (Have Taken Over The Asylum)” for our opener. Tonight’s show featured both Molecular Steve and Delicate Steve, both of whom have new albums out, so I expect another couple of Steve-heavy shows in the future.

Leyla McCalla’s music opens up a portal into a universe of previously impossible musical geometries.

I’ve been noticing a dry spell on covers making it onto the show, but that was busted tonight with an inordinate (and quite varied) set of songs, starting with Robyn Hitchcock’s take on the Small Faces’ “Itchycoo Park.” He’s got an album of mostly covers, specifically from the year 1967, on the way, and this single is blazing the way. Also covered tonight: David Bowie, Dire Straits, Duke Ellington, Daniel Johnston, and the Bar-Kays.

It’s time to take perspective on our hyper-technologized society, through the audio lens of song.

Thick Paint has a sound you just want to slather and spread on.

There’s a whole new album from Wreckless Eric, a whole album, but tonight’s selection resonates for the simple fact that this is the third reference to the radium girls I’ve heard this week, all from very different sources. As we say around these parts, it’s a real plate ‘o shrimp. Also worth noting tonight is n-th track from the Bug Club’s Rare Birds album, which has so many good songs on it you’ll be hearing from them for months to come, and that’s even with not playing the ones with bad words.

Every six years or so, Valentine’s Day lands on a Tuesday, and it’s a grand excuse to update and refine the Fight Night playlist, featuring two hours of music about verbal, physical, and emotional aggression. Why go the opposite way? I’m sure those with dates have better things to do than listen to the radio, and those without might appreciate the theme. Tonight’s Final Hour is a replay of tracks from another Final Hour from about a year ago, with all-new live commentary from yours truly.

Tonight’s opening theme is clearly tribute to the Imaginary City — the opening cover is from the town’s The Streetwalkin’ Cheetahs, who are named after an Iggy and the Stooges lyric and have been pumping out a corresponding racket for about 30 years now. The song itself, originally by X, is about a friend of the band that left for England to hook up with the Damned’s Captain Sensible. The lore is unclear on whether the Captain was expecting that or not.