Tag: Les Paul & Mary Ford

For a quarter century, Deerhoof have been a benchmark for the contrasting dynamics of sweet and sour, spiked and pillowy, and all manner of sounds that should not get along but quite obviously do.

Uwe Schmidt has had an extensive career, recording under many names as electronic musicians do, but it's his work as Señor Coconut (and now as Atom™), where he deconstructs familiar songs into something Kraftwerk would play if hired to play a quinceañera, that brings me this very particular weird glee.

The original “Crimson and Clover” was Tommy James and the Shondells' biggest hit, but it was also one of the first songs to be recorded on 16 track equipment, and is a textbook example on the use (or overuse) of rhythmic tremolo. Pom Pom Squad does a good job of channeling the song's sweet yet feral vibe.