Mixtape 234 :: Three From Two
Khruangbin promises exotic destinations and luxurious accommodations in the distant hum of a prop engine.
Khruangbin promises exotic destinations and luxurious accommodations in the distant hum of a prop engine.
The Dandy Warhols are singing about a band, but it’s not the Misfits
When you set out to record a song that’s been famous, or popular, or claimed in some other way by some other artist, you are taking a shortcut with great risks and great rewards. Rarely can you pull it off the way Chicks On Speed do with their rendition of Cracker’s “Euro Trash Girl,” with a radical approach to deconstructing and reassembling the indie country hit. You’ll just have to hear for yourself.
Welcome to Kim Gordon’s angular world, equal parts plush down and sharp razor.
“Is this the music, is this the music you like?” yell The Bug Club above a robotic repetitive riff. Yes, this is the music I like. Tonight’s special seems to be bands with names too sensitive to read over the air in Rural Colorado, like Pissed Jeans, Mannequin Pussy, and STRFKR. No matter, we’ll turn it into a game for the listeners.
A flamboyant tip of the hat to Charley, who shared Being Dead with me only recently. I am smitten and kicking myself for missing their debut album’s release last summer, but I am fiercely making up for lost time. This evening’s Velvet Potty Mouth award goes to STRFKR, whose distinctive FUCK sat like a rock in a river of glitter and was carefully edited out for the Grand Valley’s sensitive ears.
For a quarter century, Deerhoof have been a benchmark for the contrasting dynamics of sweet and sour, spiked and pillowy, and all manner of sounds that should not get along but quite obviously do.
The original “Crimson and Clover” was Tommy James and the Shondells' biggest hit, but it was also one of the first songs to be recorded on 16 track equipment, and is a textbook example on the use (or overuse) of rhythmic tremolo. Pom Pom Squad does a good job of channeling the song's sweet yet feral vibe.
Gentle music for a pastoral New Zealand scene, with tappity drums and soft jangles playfully jostling understated vocals.
Thoughtful and delicate, this collection of songs features a variety of near-pastoral pop tunes.