Mixtape 132 • Holiday
The Just Joans keep it in the family, and they keep it fairly civil, covering their lethally caustic Scottish wit in a layer of pleasant pop.
The Just Joans keep it in the family, and they keep it fairly civil, covering their lethally caustic Scottish wit in a layer of pleasant pop.
The parade stretched through the downtown area, its colorful participants a completely normal distribution of small-town denizens. The statistician knew otherwise. They stood waving from the platform of the float, their flysuits carefully integrated with the diorama to give the appearance of animated mechanical humans. All they needed to do was get within twenty feet of The Mayor, and the technology built into the platform would do the rest. The imagineer adjusted the EQ on the float’s sound system, giving the Estonian techno which poured from the speakers more high-end sparkle. The crowd reacted favorably, some of them breaking out into dance.
The baker took one last look at the cake, sitting on its gold-rimmed stand on the veranda, the carefully cultivated gardens surrounding the Palacio Rioja visible in the background. If it weren’t for the two backpack stealthcopters leaning against the railing, it would be Instagrammable, hashtag noneofyourbusiness. The architect finished the final touches, and gave a silent nod. In a smooth motion, the two of them had their packs on and had plummeted over the edge, carefully angling away to not disturb the icing.
A soft Texas breeze ruffled the grass along the banks of Belton Lake. Why not Lake Belton? wondered the hydrologist. Behind the trees, the aviator finished securing the paragliders. They had arrived with two, but would be leaving with three, which added a true twist to the logistics. Across the water, the sounds of Jamaican country music could clearly be heard coming from a raucous campsite. They were about 300 feet away, and had not been part of the plan. But if there were to be witnesses, then let them be the inebriated type.
The chauffeur peered at the rear-view mirror. The scattered reflection from the rain-slicked A7 revealed only headlights, no politely alarming Luxembourg police flashers. The Corniche bulleted down the roadway, the flutter of its diplomatic flags the only sign that it wasn’t standing dead still. Some miles away, in Ettelbruck, the authorities were coming to the conclusion that the altercation at Chez Fred had been a distraction. In the back seat, the jeweler closed the briefcase, satisfied with its contents.
The luthier adjusted the direction control of the four-legged arachnoform lumbering above the forest of Oro Bay. The spherical contraption had been difficult at first, but proved to be intuitive in guiding the transport’s spindly hissing legs across the varied terrain. Behind the padded seat, the cartographer consulted screens and printouts. The purple spruce should be visible soon. A single trunk would yield over a hundred cello bows, worth millions in the underground market. They were there to make sure it remained just another tree.
It’s not ska, and it’s not rocksteady, but it’s definitely Jamaican and powerfully dancy — you can call it “69 Reggae” after the year of its initial popularity.