Mixtape 300 • Despectiva caridad
If you enjoy your cumbia abstracted and your merengue chopped to pieces, Los Pirañas have a dish for you.
If you enjoy your cumbia abstracted and your merengue chopped to pieces, Los Pirañas have a dish for you.
Nothing like the feeling of having a new Broncho album to obsess over, I invite you to join me to, as they say in my native country, “sumérgete en cheddar.” Elsewhere tonight, panic at the discotheque — if you were listening, you know exactly what I’m talking about.
It’s a formula as old as time — take four Japanese ladies, dress them up in color-coordinated dresses and makeup, and have them play aggressive earworms featuring kawaii harmonies and the lethal precision of a veteran death metal band. And yet somehow Otoboke Beaver rise above the rest of the entrants in this crowded field. Who am I kidding, they are one of a kind, and if you’re not listening to their latest album on repeat, you are missing out on a lot of endorphins.
After a dormancy of a few years, The Dodos have re-emerged and proven to be anything but extinct. This duo makes a sound that is easy to recognize but hard to describe, a sort of acoustic progressive metal filled with droning rhythms and cascading guitars that you can clearly hear on the appropriately-titled “Unicorn”.
Thirty years ago, I witnessed Al Jorgensen chug a bottle of vodka while getting a tattoo and waiting for the acid to kick in. Unrelated, it doesn’t sound like a lot has changed, and fans of this aggressive industrial music outfit should be pleased.
This is the HALLOWEEN 2018 mixtape, seventeen carefully curated bits and pieces of spine-tingling scary and thematic. Yes, there was some Ministry. And some Throbbing Gristle, and others