The Devil Makes Three • Chains Are Broken
Americana with a punk-ass louche attitude always makes for a good bawdy time.
Americana with a punk-ass louche attitude always makes for a good bawdy time.
The luthier adjusted the direction control of the four-legged arachnoform lumbering above the forest of Oro Bay. The spherical contraption had been difficult at first, but proved to be intuitive in guiding the transport’s spindly hissing legs across the varied terrain. Behind the padded seat, the cartographer consulted screens and printouts. The purple spruce should be visible soon. A single trunk would yield over a hundred cello bows, worth millions in the underground market. They were there to make sure it remained just another tree.
The catamarine knifed silently upstream, its passage discernible only as a faint twin wake on the surface of the river. Up ahead, the sonar array was already picking up the turbulence from the Mbocaruzú falls, the staccato warning pings slicing neatly between the Mozambique big-band swing being piped into the earpieces. In their individual pods, the cartographer and the miner reviewed their maps, surveys, and orders. Up ahead, behind the rushing down-flow of the water and completely out of sight, a set of steel doors silently opened and awaited the pair’s arrival.