Tag: Boards of Canada

Trademarking the most elemental of particles is a bold move, but a fitting one for Atom™.

Tonight’s show kicks off with a long overdue hour of Version Control 10 — our special blend of songs that you might call “covers”. About a year ago, I filled three hours with covers, which leads me to believe something is messing with the covers ecosystem, and I have my theories. The middle hour was a regular Mixtape (if such a thing can be allowed), and the Final Hour was its usual rocketride mindtrip, a big thank you to all that came aboard.

The three-hour live shows have settled into their own rhythm, with the stranger and more electronic offerings drifting into the territory of The Final Hour, between 11pm and midnight. This show is for the early risers who might be familiar with the upbeat indie pop that gets played at the top of the show but are missing out on the darker moods that are featured near the end.

Hailing from the southwest of France, The Llamps build on a sound that's equal parts New York City grit, San Francisco psychedelia, and spaghetti Western twang, which makes for a pan-global main dish.

Some bands are obscure, others are sporadic, but The Mabuses are downright enigmatic. Their music is hard to describe, and while the word "psychedelic" has become a commonplace and devalued label to put on something these days, in this case it would apply as a feeling of existing in a disjointed but entirely fascinating musical reality rather than a genre.