Mixtape 148 • Strange To Explain
If I could use synesthesia to describe Woods’ music, I would say it sounds like sparkling pastel day-go colors.
If I could use synesthesia to describe Woods’ music, I would say it sounds like sparkling pastel day-go colors.
The pilot felt the glider’s control surfaces bite into the updraft. The craft smoothly pitched up and right as the surreal Eastern Washington terrain unfolded beneath them. The plucky strains of a Bolivian polka filled the small cockpit, the whistling of the wind no true competition. Facing backward, the specialist peered at the techmapper. Somewhere below, there was something messing with the surveillance satellite and downing any powered aircraft that dared approach. Up ahead, the clouds were bunched up in a way any seasoned traveler of the skies could tell was just. not. right.
The vessel floated silently across the Mississippi, as silently as a hovercraft possibly could, which was not very silently at all. The two occupants of the walnut-paneled bridge listened intently to the sounds of the radio above the drone of the fans, one of them spinning the wheel with wild abandon, the other plotting an imaginary course over river and land using a nubby pencil and printed map. The sextant lay unused, for it was, after all, night.
It was a cold night, but things were kept warm by a steady influx of Latin-tinged music and of course, Millie Small’s delightful warble.
Time has not dulled the edge of this band. "Show Me The Sun" highlights their psychedelic side.
Like getting picked up by the scruff of your neck and smashed into a wall of orange Jello, Swarming Branch gets your attention with the warping and weaving of "Zsazsur's Real Estate Song".