Mixtape 175 :: Rhythm Is Our Business
The mysterious Snapped Ankles are descended from the forest people, though it seems they took a detour through some harsh industrial spaces to bring their stuttering electro-strangulation to our ears.
The mysterious Snapped Ankles are descended from the forest people, though it seems they took a detour through some harsh industrial spaces to bring their stuttering electro-strangulation to our ears.
The three-piece punchy pop formula should be familiar to everyone by now, but the sounds of Bad Bad Hats are an elegant proof of their own.
The rich wood floorboards were squeaking under the strain of the game. They had removed their shoes, sketched out the board using a special beeswax that would not damage the finish, and were hopping as lightly as they could, for they respected the solemnity of their location. Nonetheless, the portraits lining the Hall of Admirals in the Museo Maritimo Nacional felt they finally had something to frown about, their serious Chilean brows furrowed in naval concern as they observed the farrier and the anthropologist enjoying their tournament.
The first time you hear Courtney Barnett taking on the Velvet Underground's "I'll Be Your Mirror," what you get is an electrifying shock of recognition: you know that distinctive voice, you know that timeless melody, but what you're hearing is completely new. I must add that there's a VU tribute album every few years, and even the worst of them can be decent, supported by the strength of the songs, but this one (also titled I'll Be Your Mirror) is exceptionally good.
Uwe Schmidt has had an extensive career, recording under many names as electronic musicians do, but it's his work as Señor Coconut (and now as Atom™), where he deconstructs familiar songs into something Kraftwerk would play if hired to play a quinceañera, that brings me this very particular weird glee.
A solid effort filled with gently sparkling guitar lines and subtle hooks, this manages to sound completely retro and current at the same time.