Mixtape 321 • While My Machines Gently Weep
Death In Vegas means many things to many people, but in this case it means a form of audio pummeling.
Death In Vegas means many things to many people, but in this case it means a form of audio pummeling.
The tang of fall is in the air, though the days are dressed for summer. I missed Frankie and the Witch Fingers when they were in town a couple of months ago due to work travel, and I was supremely bummed, as their particular take on electropunk is right in my wheelhouse. Tonight’s selection is a weird little experimental number from their latest release, which I highly recommend.
Cover the ears of the delicate and tender-hearted, for this collection is full of adult language and topics.
It’s been a while since something has made me sit down and listen like the North Americans’ steel-string ambient flow.
The new album from Jen Cloher is magnificent, and when her Twitter account favorited the playlist entry for the lead track tonight, I near swooned. I recommend you listen to I Am The River, The River Is Me from start to finish, and enjoy something you’ll be doing for years to come for the first time. In other news, our recently adopted cat Princess Otoboke Beaver (aka Pris) gave birth to four healthy kittens on St. Patrick’s day — Ziggy, Stardust, Spider, and Mars.
As it happens, if yours truly has a Valentine’s gig, it’ll be followed by one on Pi Day. Except on leap years. But the point here is that I thought about doing a show themed on circles, spheres, and other such expressions of the number and decided against it, but keep your ears peeled for some future incarnation of a “Round and Round” playlist. Instead, tonight we kick things off with the sort-of eponymous track from The Nude Party’s latest release, and wrap things up with about 30 seconds of Railroad Jerk, because technical difficulties.
Sparse and electronic, sometimes abrasive, this project from Swedish vocalist Karin Elisabeth Dreijer can be difficult and/or rewarding.
Cleary, this is something that needs a song to explain, and Mo Kenney is up to the task.