Tag: The Kinks

You can say that bedrock funk bassist Bootsy Collins is The One, and you would be right on so many levels.

Viagra Boys don’t care what you think… there’s plenty of room for a saxophone and John Prine covers in the backseat of a 21st century punk band.

“Batu means ‘rock’ in Malay” said the photographer, for the third time in a week. The sous-chef ignored the comment, also for the third time, and tried squinting in the darkness at the cribbage board. They had been wise enough to purchase a glow-in-the-dark deck after all these midnight assignments, but had yet to extend their ingenuity to the board. Tapping a foot in irritation, they knocked over the thermos full of hot cocoa set on the steps, and it would have rolled down several long flights of guano-covered stairs had it not been stopped by the tandem bike’s wheel leaning against the statue’s pedestal. Above them, Lord Murugan stared stonily into the dark.

The journey to the island had been placid, cutting through the postcard-blue waters on the kite hydrofoil like an experienced tailor shearing fine cloth for a new suit. Things were a bit more complicated now that they were at the Heraklion Archaeological Museum. The horologist consulted the mission notes, which simply stated “remove all anachronistic displays.” The historian, fearing seasickness, had taken a pill and was now having a comically adverse reaction that rendered them useless for these judgements. A security guard eyed them warily, but perhaps they could turn the situation to their advantage by playing up the effects as excessive inebriation.

The Woolly Bushmen may look young, but they sound like a rusted IROC Camaro with a busted manifold roaring out of the 7-11 parking lot.

Verring wildly from soft-funk to outright garage fuzz, this wouldn’t be out of place coming out the AM radio and windows of a 1974 Maverick.

The accordionist’s boot was tangled in a mangrove root. The deepening dusk of Meads Bay Pond brought with it a soft breeze and an ugly threat of bug swarms. Their chances of getting to the beach and capturing enough glowing sugar crabs were dwindling. The roots, more like underwater dreadlocks, heaved as the booted foot attempted to twist out, the accordion case held high as counterbalance. The technician glared at the spectacle briefly before shining a light on the clipboard. In the distance, a barbershop quartet with a Tuvan throat-singing baritone made it incongruous presence known. The keys to the long-range waterbikes had a floaty thing on them, but they were permanently attached to the metal clipboard, which would sink like a stone. The Governor’s Office back in The Valley would certainly hear about this.

These lush harmonies with a sharp pop sensibility are hiding a set of biting and insightful lyrics.

Solid power-pop outing with an all-star cast… a must for fans of the Yellow Pills series.

"Screaming Females" is a misnomer. There's only one, and not a whole lot of screaming in "Chamber For Sleep (Part One)".