Mixtape 127 :: Roll Me Mama, Roll Me
It’s easy to suspect Ray LaMontagne came from a recently unearthed time capsule documenting the folkie scene of half a century ago.
It’s easy to suspect Ray LaMontagne came from a recently unearthed time capsule documenting the folkie scene of half a century ago.
They had wandered through the town, having left the aquabus in one of the drainage ponds at the I-70 interchange. It had been a dusty drive, and the vehicle certainly could use the soaking. As they wandered through the town’s enormous collection of objects, they felt lilliputian. The dentist rattled the bag of tiles suggestively as they walked past the sign for the World’s Largest Rocking Chair. The typesetter did not hesitate to point out that at 678 inches, it was the tallest chair of any kind in the United States. It was a habit that was both tiresome and instructive. And it never got in the way of a quick game of mahjong.
The world of Khruangbin is made up of velvet sunsets, shimmering dunes, and cool river rocks. There’s also a guitar, some drums, and a bass. And lately, vocals.
The carpenter took a leisurely walk around the perimeter. In the weird light cone projected by the light they had installed at the top of the can, the ropes they had used to rappel down looked like the undulating tentacles of a mysterious jellyfish. Outside the cylindrical building that very deliberately resembled an oversized Coca Cola can, the security guard’s radio played Chicago sambas into the crisp Manitoba evening as he idly played his flashlight over the bushes outside. The choreographer stifled a giggle. On one of the ornithopters parked atop the domed top, next to an opening that looked like someone forgot to bring a canopener, a single LED began to blink. The mission was running out of time.
Heavily influenced by surf music and pre-psychedelic jangle, this collection of songs show a lot of energy and musicality, with Jean’s nicely hyper-reverberated guitar sharing the spotlight with her hypnotic vocals.
The archivist’s breath misted in the freezing vault as gloved hands lifted the metal canister off the shelf. Getting to Greenland had not been trivial, driving the snowcats to Nuuk undetected had been a challenge, and breaking into the Katuaq Cultural Centre’s secret collection room, dug out of the permafrost, could be described as difficult. Now, locating the footage was close to impossible, given the hundreds of linear meters of shelving that were visible. The producer unspooled the first few feet off the reel, peering up through the film to the overhead light. The muffled sound of Persian hip-hop could be heard from the theater above. Maybe it was not so impossible.
The engineer looked through the diminishing dawn murk and spotted the specialist’s orange scarf. The sound of the balloon-tired swamp bikes spread through the Estonian bog like hot molasses, obscuring their location but not their presence. Unnoticed in the bike’s twin V mud-wakes, a nearly-vertical black snorkel tube trailed the pair.
It's a slack time for new releases, but The Lacking Organization still has a tremendous backlog of excellent music from 2018 to work through. Gratitude to tonight's participants, ranging from Charley attending CES in Las Vegas to Sean fiddling with the dial and wondering if he got the right station.
Exene Cervenka fronting Los Straitjackets is a powerful combination.
Now this song weighs a ton.