Tag: Delicate Steve

This Buck Meek character is difficult to pin down, simultaneously rural and urbane.

In the last few years, John Lydon, once known to the world as Johnny Rotten, has been in the news for a variety of reasons, none of them related to his music, most of them leading to unfortunate public judgements. His band’s new album makes their name Public Image Ltd a handy reminder, as it serves up a take on society more in tune with their past work than the expected yelling-at-clouds. Elsewhere! To the listeners voicing strong opinions about the adorably shrill kids’ story that ran at the top of The Final Hour — your comments were passed on to Management and that short chunk of audio root canal is gone. Well done!

Every so often, I’ll gather up some of my favorite tracks from the last sixty minutes of my three-hour radio show and create an entire episode of The Final Hour, this one being the third such installment. This is the music that is played between 11pm and midnight, and it’s generally darker, more instrumental, sometimes even experimental, and this is an opportunity for the chronologically challenged to experience some of that closer to their regular waking hours.

Mimi Parker, vocalist and drummer and half of the Minnesota band Low, passed away a couple of weeks ago while I was traveling. It’s a shocking loss and an abrupt end to a musical career that was still unfolding; the band’s last two albums, coming at the tail end of a discography that spans decades, showed a blossoming new direction for an act that was famed for their quiet and glacial approach. We open the show with Low’s rendition of a Bee Gees classic in tribute.

It’s time for another Fun Drive, and what better way to represent tonight’s manic energy than Daisy Chainsaw and their epic “Love Your Money”? Also tonight, we have received a matching grant of one hundred dollars of America, via Telex: THIS IS THE HRVST TROGGOLD TO TELEX THE PLEDGE COMMITMENT THE ONE HUNDRED COMMA DOLLARS STOP OF MATCHING AMPLITUDE OTHER PLEDGES OF DONATION COMMA MATCH EXCLAMATION STOP HAVING REPORTING OF ARTICLE COMMA THE TURKISH ALMOND FARMING COMMA COMMA COMMA BEST THE LUCK STOP COMMA

The world that deliberately-lowercased beabadoobee presents in her new album Beatopia is pastel neon colors, soothing howls, bright shadows, and all manner of psychedelic oxymorons. Tonight’s show features its introduction of sorts, and closes with the unexpected krautrock drone of my current favorite discovery, Japan’s deliberately-uppercased MASS OF THE FERMENTING DREGS, whose all-over-the-placeness manages to live up to its intriguing name.

Sure, we’ve all heard of the Eiffel Tower, but what do we know about the architect whose name it bears? April March breaks it all down on this version of the Pixies’ song. Also in this show, a special-delivery track from Planets in the Ocean, a new project from one of my favorite vocalists, Robb Benson.

The mechanical harvestman towered over the fig grove, its spindly arms tucked underneath as it towered over the fruit trees. The cryptobotanist aimed the infrared reader at the edge of the cultivated land, where the real Bhutan took over, hoping for even a quick glimpse. The landscape gave nothing in return. The operator’s headphones leaked the sound of some Turkish reggae, bounced from a satellite to overcome the foreboding mountains that ringed the valley. They both had patience to spare. The beast they were seeking had only one food source, located right here, and everyone’s gotta eat.

The landtrain rumbled over something bumpy. Probably a hill, thought the conductor, as they made their way down the gently swaying aisle, digital holepuncher out, ready to process the ticket. The passenger, sole occupant of the car, sat oblivious, staring out the window at the landscape rushing twenty feet below, the faint sounds of some Slovakian cumbia leaking out of the expensive earbuds. “Ticket please?” The passenger startled, and reached for the sleek titanium briefcase, its embedded digital timer declaring to everyone that it held no ordinary cargo.

Quite the military parade, a non-stop set of marching songs for liquid guitar and drum machine.