Tag: The Hives

Can't say it better than the band: The Hives forever, forever the Hives.

Get ready to pulse and thrum with tonight’s special presentation of Good Vibrations, a collection of music featuring xylophones, marimbas, glockenspiels, and other such timbral delights. It gets jazzy, and loungey, but there are also some curveballs in there and some very specific favorites.

Tonight we open with Margaret Glaspy and her delightfully umami voice tackling Creedence Clearwater Revival’s classic, dedicated to all the changing weather, a favorite topic of these introductions. Elsewhere tonight, the set that started with Los Straitjackets and ended with the Skatalites was 🔥, as they say. Look for it in an upcoming Mixtape.

The tang of fall is in the air, though the days are dressed for summer. I missed Frankie and the Witch Fingers when they were in town a couple of months ago due to work travel, and I was supremely bummed, as their particular take on electropunk is right in my wheelhouse. Tonight’s selection is a weird little experimental number from their latest release, which I highly recommend.

Cheekface takes nothing seriously, not even my undying love for their questionable attitude.

Firing things up near the top of tonight’s Mixtape are The Hives and the precision attack of “Rigor Mortis Radio,” from their recent return to affairs of sound. Also, what do you know… another fine Fugazi cover to open tonight’s mixtape, this one the chromatic riffing of “Merchandise” as interpreted by Sounds Of Swami. Elsewhere tonight, a shout-out to Chuck Dinkins for introducing me to Tupelo Chain Sex.

Something about Margaret Glaspy’s voice makes me want to hang out and listen to her laugh.

In the last few years, John Lydon, once known to the world as Johnny Rotten, has been in the news for a variety of reasons, none of them related to his music, most of them leading to unfortunate public judgements. His band’s new album makes their name Public Image Ltd a handy reminder, as it serves up a take on society more in tune with their past work than the expected yelling-at-clouds. Elsewhere! To the listeners voicing strong opinions about the adorably shrill kids’ story that ran at the top of The Final Hour — your comments were passed on to Management and that short chunk of audio root canal is gone. Well done!

I think Lemmy would have appreciated Canadian superbanjoplayer Lisa LeBlanc's fierce take on "Ace Of Spades".

You can always tell a Kinks song.