Mixtape 141 • Faith
Sneaks uses electronic layers and a disaffected delivery to create something that lives in the past and in the future and only circumstantially in the present.
Sneaks uses electronic layers and a disaffected delivery to create something that lives in the past and in the future and only circumstantially in the present.
M. Ward could get by on his smoky velvet voice alone, but he also happens to be a supreme connoisseur of what alert musicians call songcraft.
The strategist made to pick up a card, then withdrew their hand. A cool breeze, laden with yesterday’s afternoon dust, stirred through the empty square near the Musée Ahmed Zabana, knocking discarded paper cups against the stone table’s legs. The tandem scooter, not something you usually see in these parts of Northern Africa, come to think of it the world, leaned against the bench the investigator slouched on. “Make your move” their eyes implored in exasperation, as the pair waited for the gift shop to open.
Sultry, measured vocals are set off against an array of spiky arrangements and instrumental bursts, song parts constantly evolving and mutating, so that little finishes the way it started.
The cryptographer tried to once again estimate the circumference of the lighthouse, asking the question aloud and then naming best guesses. The compulsion to know these geometric factors was strong. The agronomist successfully prevented their eyes from rolling. The history of this place was more interesting, having provided a high point from which to shine a light for centuries, currently for Estonia but briefly for the Kingdom of Torgu. That last bit of trivia was relevant because they were here to meet with the self-appointed Official Court Jester, who had requested they journey to this location on a rented tandem bicycle. They had also requested ice cream, “any color except white.” It waited in a cooler strapped to the bicycle’s ample frame.
This is SOME LIKE IT HOT, a Mixtape of music about all things that are Not Cold, an hour of songs about heat and warm places, and bands that celebrate this elusive phenomenon. Although sometimes it resorts to extremes, it is hoped that this sonic concoction delivers some measure of imaginary heat to the listener.
It’s back to a regular schedule, at least for the foreseeable future, and it’s good to be back with the usual cast of characters. A rare and rainy night in the Grand Valley, perfect for this random gallop through some haphazard old stuff and sparkly new stuff.
If you’re having issues with Target not getting the Halloween decorations out quickly enough, “Black Cat 13” is some dark sunshine from Peach Kelli Pop. Shout out to Generoso and Lily for sticking it out to the end, when things got weird just to our liking.
Wildly dynamic swings of mood from this rock-format combo, filled with sweet chiming vocal harmonies set against dissonance and rhythm.