Mixtape 177 • Buy My Product
I know that Water From Your Eyes is a reference I can look up in a second these days, but I am going to refuse to do so to leave the magic untainted.
I know that Water From Your Eyes is a reference I can look up in a second these days, but I am going to refuse to do so to leave the magic untainted.
“You missed the white crocodile,” the chipa vendor told them. The mycologist and the munitions expert gave the expected sounds of disappointment, the same as any tourist drawn to Paraguay’s Ojo de Mar would. One of them spread a blanket by the lake side while the other one got busy with entering the passcodes and unlatching the efficient-looking metal case they had extracted from the moped. Opening it once the blanket was ready, they began taking out the 3D-printed pieces from the foam molding with quick, efficient movements as the Easy Star All-Stars blared out a David Bowie song from the vendor’s portable radio.
It’s a formula as old as time — take four Japanese ladies, dress them up in color-coordinated dresses and makeup, and have them play aggressive earworms featuring kawaii harmonies and the lethal precision of a veteran death metal band. And yet somehow Otoboke Beaver rise above the rest of the entrants in this crowded field. Who am I kidding, they are one of a kind, and if you’re not listening to their latest album on repeat, you are missing out on a lot of endorphins.
It's a celebration of Pat Fish, also known as The Jazz Butcher, who passed away unexpectedly last week, on October 5. We kick things off with another one of my favorites, the Asylum Street Spankers, taking on his "D.R.I.N.K." to glorious heights, followed by a couple of sets drawing from his 20th century material.
Australian Ben Lee broke through as the singer for the teen outfit Noise Addict, but has since made quite a solo career for himself. He kicks off this edition of Version Control — all covers, all night long.
These two have always made for a dynamic pairing, a yin and yang of raw backwoods holler and big-city sophistication that together make for some of the most genuine American folk music to come out of your newfangled contraption.
If I could use synesthesia to describe Woods’ music, I would say it sounds like sparkling pastel day-go colors.
The Shilin Night Market had seemed to grow even more chaotic in the intervening years, yet the vendors and customers still retained their preternatural calm, as if the events happening all around them were due to forces completely out of their control. As the skeptic checked the status lights on the Stinky Tofu Containment Device for the seventh time that mission, the inspector pinged the jetpacks they had secured under a table of bejeweled phone cases to make sure they were primed for a quick getaway. Their progress came to a sudden halt as they considered the sign before them: “Small Sausage In Large Sausage - $120”
The mysterious Orville Peck is a modern cowboy marvel, a rare and legendary masked man with a dusty guitar and a lonesome coyote howl.
Following a proud tradition of weird Australian pop, The Stroppies give us the sort of incisive harmonic jangle the world needs right now.