Mixtape 188 :: New Kerrang
All the kids are into it, and M. Ward is just itching to tell us about it.
All the kids are into it, and M. Ward is just itching to tell us about it.
If you want suave, it’s hard to get more suave than “Blue Velvet,” and horror-surf combo Messer Chups delivers a version that’s not only suave but also quite kinetic. From the accelerated temp to the lyrical guitar line to the luscious spring reverb, it’s a welcome spin on the old croony standard. Tonight’s show was accompanied by tremedous wind and lightning, with occasional rain.
I haven’t decided if Bully is a great name or a terrible name, but it certainly fits their melodic bludgeoning.
“You missed the white crocodile,” the chipa vendor told them. The mycologist and the munitions expert gave the expected sounds of disappointment, the same as any tourist drawn to Paraguay’s Ojo de Mar would. One of them spread a blanket by the lake side while the other one got busy with entering the passcodes and unlatching the efficient-looking metal case they had extracted from the moped. Opening it once the blanket was ready, they began taking out the 3D-printed pieces from the foam molding with quick, efficient movements as the Easy Star All-Stars blared out a David Bowie song from the vendor’s portable radio.
Get ready for some uncomfortable oversharing, set to the tune of early grunge, with an occasional jazz or doo-wop idiom thrown in… it’s a bit of uneasy listening but it gets its hooks into you.
The reissue of the band’s 2014 cassette debut shows a clear trajectory for this garage-delic outfit that constantly wanders through the dirtiest of musical territories and comes out the other end looking perfectly disheveled.
The mysterious Orville Peck is a modern cowboy marvel, a rare and legendary masked man with a dusty guitar and a lonesome coyote howl.
Girl-forward pop-punk with a harder edge, the type where dissonant guitar stabs merge into gloriously harmonized chorus hooks.
A collaboration of bad attitudes. The Melvins are the more disciplined of the two here but everyone’s affinity for big surly rock is running at 150%
Crafty pop punk, brimming over with chunky guitars, layered female vocals, and lots of sneering.