Mixtape 242 :: NSFW 1
Cover the ears of the delicate and tender-hearted, for this collection is full of adult language and topics.
Cover the ears of the delicate and tender-hearted, for this collection is full of adult language and topics.
You might think Juanes is some sort of reference to a collective of people named Juan, but it is actually a single Juan, more accurately a Colombian named Juan Esteban Aristizábal Vásquez. Here he is singing along to Elvis Costello and the Attractions as part of the fascinating Spanish Model project.
Tonight’s show started off with Picture Book, a one-hour mixtape of songs dedicated to the captured image, whether it be a personal snapshot or an exotic postcard. The rest of the night was the usual Mixtape territory, closing out with my latest inexplicable favorite, International Sangman.
The mysterious Snapped Ankles are descended from the forest people, though it seems they took a detour through some harsh industrial spaces to bring their stuttering electro-strangulation to our ears.
The story of Nell Smith & The Flaming Lips is as improbable and unexpected as their album full of Nick Cave covers. Existing in a triangular universe of mutual admiration, Where the Viaduct Looms gave us the opening track tonight, the menacing “Red Right Hand”.
When you are bored with every sound you hear, the Universe will send you an entire collection of songs to make you break out in an involuntary smile, like Goodbye Honolulu's latest.
If The Wedding Present were the traditional sort, they would be bringing coral to the festivities. This one is from earlier in their career, closer to the wood years, but the Velvet Underground never goes out of style. This is from another good VU tribute album, Heaven and Hell from 1991 or so.
I am convinced that today’s Canada is much better at this jangly indie pop thing than the US ever was at the height of alternative music. This Toronto outfit will pull you out of your deep American misery faster than any prescription medication.
The rich wood floorboards were squeaking under the strain of the game. They had removed their shoes, sketched out the board using a special beeswax that would not damage the finish, and were hopping as lightly as they could, for they respected the solemnity of their location. Nonetheless, the portraits lining the Hall of Admirals in the Museo Maritimo Nacional felt they finally had something to frown about, their serious Chilean brows furrowed in naval concern as they observed the farrier and the anthropologist enjoying their tournament.