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The Final Hour II

KAFM Grand Junction, 9pm - 12am

It’s been about six months since the previous compliation of music that was played on the 11pm-midnight section of the Mixtape — the late-night temporal space that receives music that is strange, harsh, and/or repetitive that is known as The Final Hour. This is the second anthology from this pool of music, presented through the entirety of tonight’s Mixtape to allow those whose schedule leans towards the earlier hours a chance to experience. Hark!

It’s been about six months since the previous compliation of music that was played on the 11pm-midnight section of the Mixtape — the late-night temporal space that receives music that is strange, harsh, and/or repetitive that is known as <strong>The Final Hour</strong>. This is the second anthology from this pool of music, presented through the entirety of tonight’s Mixtape to allow those whose schedule leans towards the earlier hours a chance to experience. Hark!
SongArtistNotes
Public Image (Bonus Track)
Jah Wobble
Originally from PiL
— • BREAK • —
Slip 'N' Slide
Delvon Lamarr Organ Trio
Coolin’ off
Smokin' at Tiffany's
The Greyboy Allstars
Heatin’ up
Shack In The Back
The California Honeydrops
Knock three times
— • BREAK • —
Only One
Gooseberry
Taking its sweet time
Las Panteras
Los Bitchos
Swirling felines
No Bar Do Samba
Zuco 103
Carnaval in space
— • BREAK • —
The Loop
Toro Y Moi
It goes around and around
LDDAE
Bogdan Raczynski
Infinite variations
Vocoder
Floating Points
Bits and pieces
— • BREAK • —
Get Thee to a Nunnery
The Garrys
Smoky sounding
Class Historian
BRONCHO
Impromptu tremolos
I have seen enough
Metronomy
At their limit
Crystalised
The XX
Fractal shimmers
— • BREAK • —
Great Five Lakes
Buffalo Daughter
Beep beep beep beep
Wicked Wicked
Tahiti 80
Flashback time
Carnival of Souls
Pram
Sparse times
Only Love Can Break Your Heart - Kenlou B-boy Remix
Saint Etienne
Reassembled
— • BREAK • —
Always Together With You
Spiritualized
A long romp
Chaos Space Marine
Black Country, New Road
It’s not a job, it’s an adventure
3:38
The Pop Group
Somewhat longer than that
— • BREAK • —
Travis Bickle
Red Snapper
Watch who you talk to
The Numbers Song
DJ Shadow
Count them
What Has Happened (Edit)
Tonstartssbandht
Chasing wild pulses
— • BREAK • —
Kogarashi
Kikagaku Moyo
Marking off the time
Where's My Brain???
The Lazy Eyes
Mexican vacation
Act Right
The Crystal Method
Sidechaining deluxe
— • BREAK • —
When The Sun Explodes
Trentemøller
In a distant future
Jynxiq
µ-Ziq & Mrs Jynx
Witness the alien horticulture
Dub 318
International Sangman
The cosmic clock winds down
— • BREAK • —
Strung With Everything
Animal Collective
It all eventually amalgamates
Archives

Approximately Relevant

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Jackie down the line

Jackie down the line

Coming straight outta Dublin, Fontaines DC have an insistent and incisive sound that carves anthems out of marble using only guitar strings and a chiseling voice. No particular theme seems to emerge tonight, although we will be closing with Angel Olsen’s “Go Home.” Go home, it’s midnight.

Fever

Fever

Nothing to do with Peggy Lee’s sultry standard, this particular “Fever” comes from Aldous Harding, whose unique marshmallows-and-razor-blades sensibility makes for songs that leave you bleeding but which you crave again and again. Also tonight and also from New Zealand, a track from Garageland, one of my favorite underrated Kiwi bands of the ‘90s, which isn’t saying much because they were all underrated and they are all my favorites.

Flyin (like a fast train)

Flyin (like a fast train)

I always thought Kurt Vile was a play on the name of the German composer that gave us “Mack The Knife,” but that seems to be his given name (bonus: middle name is Samuel). Sonically, he’s more in line with Lou Reed than Weill, topping his awkward nouveau folk with a voice that may not be the most musical but is actually the perfect medium to express this particular malarkey.

No Pares Hasta Tener Lo Suficiente

No Pares Hasta Tener Lo Suficiente

I just recently noticed the Morbysphere, the term I had to come up with just now for all the interesting music swirling about Kevin Morby, his solo work and that with Woods and Babies, and now the work of his frequent musical collaborator Justin Sullivan as Night Shop, which vibrates in roughly the same product-of-two-primes harmonic frequency. Also tonight, I will be breaking my personal record for longest track played on the air with the full length of King Gizzard and the Lizard Wizard’s “The Dripping Tap”.