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With its Byrds-inpired jangle, harmonized “whoah-oh”s, and overflowing nervous energy, this could very well be an unearthed recording from the liminal era between “new wave” and “alternative”.
If there is one word to describe this latest outing from Kim Salmon, with its droning rumbles, hazy distortion, and proto-punk vibe, it is “menacing”. This is an album you apologize to, maybe buy it a drink to be safe.
It’s not ska, and it’s not rocksteady, but it’s definitely Jamaican and powerfully dancy — you can call it “69 Reggae” after the year of its initial popularity.
Sparkling clean Jamaican sounds from this soulful Los Angeles outfit can extend your summer by a few weeks and keep you warm through the winter, and well, it's good for any season you'd like to infect with good vibrations.
As expected, it sounds like the first half of a Ray Bradbury novel, where the bright colors, joyful sounds, and easy smiles let you know something is deeply, deeply wrong, or possibly just inexplicable, or mysterious, but unabashedly psychedelic.
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