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With its Byrds-inpired jangle, harmonized “whoah-oh”s, and overflowing nervous energy, this could very well be an unearthed recording from the liminal era between “new wave” and “alternative”.
If there is one word to describe this latest outing from Kim Salmon, with its droning rumbles, hazy distortion, and proto-punk vibe, it is “menacing”. This is an album you apologize to, maybe buy it a drink to be safe.
It’s not ska, and it’s not rocksteady, but it’s definitely Jamaican and powerfully dancy — you can call it “69 Reggae” after the year of its initial popularity.
Swimming out from the multicolor wave of Australian psychedelia that's been lapping our shores for the past decade, this band has revealed itself to be a quality addition to any activity that might involve sunshine and the words "relax" or "enjoy."
Hot and honky, the latest from this nine-piece shows off immaculate arrangements and complex interplay as they range in tempo and intensity from police car chase to sunny afternoon by the pool. Especially recommended if you like a flute wandering in.
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