Dub Night I
It's Member Drive time, and nothing says "support your community radio station" louder than three hours of Dub Night. Not a whole lot of funding was raised, but no matter! Three hours of heavy bass rhythms were played.
It's Member Drive time, and nothing says "support your community radio station" louder than three hours of Dub Night. Not a whole lot of funding was raised, but no matter! Three hours of heavy bass rhythms were played.
It’s the triumphant return of Pom Poko and their shattered-and-reassembled attacks of aggression and affection, like the sonic equivalent of staying inside the sauna for as long as you can, then running out to roll around in the snow.
Raw, stinging, and pungent like a freshly-cut onion, The Bobby Lees quickly peel away their layers to share their tender, pearl-white hearts.
Billy Martin’s drumming makes me think of oxymorons like “precisely sloppy” and “intensely casual” and “red hot chill out”.
Following a proud tradition of weird Australian pop, The Stroppies give us the sort of incisive harmonic jangle the world needs right now.
Straight outta Staten Island, the Budos Band has enough energy to power a nuclear submarine for seven months, allowing it to circumnavigate the globe three and a half times.
I really love Khruangbin, despite the pronounciation quandary they plunge me into whenever I play one of their songs.
Beach House's music always rings as the soundtrack to some brain-warped too-much-party film montage. WIth "Drunk In LA", their song titles are catching up with the vibe.
Heady mix of folk, electronic and hip hop elements swirling together into something unique and accessible.