Mixtape 239 • Double Negative
Omni unites their sound with the thinnest of guitar strings and rhythms of utmost precision.
Omni unites their sound with the thinnest of guitar strings and rhythms of utmost precision.

It was a globe-spanning show, with listeners checking in from the Grand Valley, the Florida swamps, and as far as Japan, where it was already Wednesday lunchtime. Meanwhile, The Libertines are up to their old antics again, at least the ones where they sound like a recently unfrozen cadre of British Invasion troglodytes. Also fun: playing a track called “We Will Not Apologize” and following that up with “Stop Apologizing”. Sounds about right.
Packs’ uniquely unbalanced delivery gives me the woozies.

It’s the evening before Valentine’s Day, which means absolutely nothing here at lacking org. Instead, we’re opening up with the Sex Clark Five taking on the Byrds, and something from Norwegian up-and-comers Mall Girl, who manage to hold up a broken mirror to American indie rock without cutting themselves to shreds. Also, their bassist name-checks Laddio Bollocko. Also tonight, more splendiferous instrumental musings from the incomparable Matt Berry to kick off the Final Hour.
Joanna Sternberg is an open book, and you can’t keep from turning the pages.

Things started out normally, with a cover and an excellent new single from Waxahatchee, but took a turn for the unexpected when the highly-anticipated Cat Empire set went missing. Was it skipped over on the player accidentally? Had I forgotten to make a copy to bring to the station? Could I download it from the backup at home? After a couple of sets of troubleshooting, it turned out I had named the file incorrectly. These are the hazards you encounter as a live-in-the-studio DJ, kids.
The Mommyheads would like to know if you are OK, like really OK and not just saying that.

I was not properly prepared to discuss Cat Power’s tribute to Bob Dylan’s 1966 Royal Albert Hall concert, and specifically where it was recorded, but now I can reveal the facts: the Cat Power recording was made at RAH. However, Dylan’s original recording was NOT made at RAH, despite the famous bootleg’s common name, instead having taken place in Manchester, a good ways away.
It's American Thanksgiving time, and there is nothing quite like food in the house.
The voice of your conscience is a very close match to the one you hear coming from Grandaddy.