Mixtape 248 • Ah Yeh
Beak> welcome you into their world of strangely organic robots.
Beak> welcome you into their world of strangely organic robots.
It was a night for mazzy music, starting with a startlingly woozy track from Maya Hawke and following up with entries from many other exemplary female vocalists with a unique sense of melody and delivery. Also, it’s now light when I leave for the radio station, and midnight when I return, which adds a sense of interdimensional time travel to the broadcasting ritual, I’m going to enjoy that for a few more shows before it’s back to operating under the cover of darkness.
Disappearer sit right on the edge of scratching that itch too little and too much.
Shannon and the Clams are far more new-fangled than their name might lead you to think.
Back to the tried and true formula of new, old, obscure, and occasionally weird with tonight’s set, which features the return of Les Savy Fav and their always welcome abrasive electropunk. It’s now that time of year when I enter the studio in daylight and exit in pitch black darkness, which I always appreciate. In between, there were lots of exciting discoveries. Expect more heavily-censored Guppy in coming weeks!
Club Makumba is hot, the drinks are strong, and you’re not ready to leave just yet.
It was a globe-spanning show, with listeners checking in from the Grand Valley, the Florida swamps, and as far as Japan, where it was already Wednesday lunchtime. Meanwhile, The Libertines are up to their old antics again, at least the ones where they sound like a recently unfrozen cadre of British Invasion troglodytes. Also fun: playing a track called “We Will Not Apologize” and following that up with “Stop Apologizing”. Sounds about right.
When you set out to record a song that’s been famous, or popular, or claimed in some other way by some other artist, you are taking a shortcut with great risks and great rewards. Rarely can you pull it off the way Chicks On Speed do with their rendition of Cracker’s “Euro Trash Girl,” with a radical approach to deconstructing and reassembling the indie country hit. You’ll just have to hear for yourself.