Mixtape 218 • Dance With Me
Joanna Sternberg is an open book, and you can’t keep from turning the pages.
Joanna Sternberg is an open book, and you can’t keep from turning the pages.
Things started out normally, with a cover and an excellent new single from Waxahatchee, but took a turn for the unexpected when the highly-anticipated Cat Empire set went missing. Was it skipped over on the player accidentally? Had I forgotten to make a copy to bring to the station? Could I download it from the backup at home? After a couple of sets of troubleshooting, it turned out I had named the file incorrectly. These are the hazards you encounter as a live-in-the-studio DJ, kids.
The Mommyheads would like to know if you are OK, like really OK and not just saying that.
I was not properly prepared to discuss Cat Power’s tribute to Bob Dylan’s 1966 Royal Albert Hall concert, and specifically where it was recorded, but now I can reveal the facts: the Cat Power recording was made at RAH. However, Dylan’s original recording was NOT made at RAH, despite the famous bootleg’s common name, instead having taken place in Manchester, a good ways away.
It's American Thanksgiving time, and there is nothing quite like food in the house.
The voice of your conscience is a very close match to the one you hear coming from Grandaddy.
I meant to write the notes for this show sooner than a month after the fact, but travel plans got in the way and here I am struggling for an intro. I can tell you that hearing Sparklehorse take on Robyn Hitchcock and the Egyptians’ “Listening to the Higsons” for the first time, mere weeks ago, felt like someone became obsessed with the same cassette as I did thirty years ago, but actually got around to letting the hen out.
As it happens, if yours truly has a Valentine’s gig, it’ll be followed by one on Pi Day. Except on leap years. But the point here is that I thought about doing a show themed on circles, spheres, and other such expressions of the number and decided against it, but keep your ears peeled for some future incarnation of a “Round and Round” playlist. Instead, tonight we kick things off with the sort-of eponymous track from The Nude Party’s latest release, and wrap things up with about 30 seconds of Railroad Jerk, because technical difficulties.
Every six years or so, Valentine’s Day lands on a Tuesday, and it’s a grand excuse to update and refine the Fight Night playlist, featuring two hours of music about verbal, physical, and emotional aggression. Why go the opposite way? I’m sure those with dates have better things to do than listen to the radio, and those without might appreciate the theme. Tonight’s Final Hour is a replay of tracks from another Final Hour from about a year ago, with all-new live commentary from yours truly.
Dating back to a time before the whole phrase was unceremoniously truncated to “chillax”, Serge Gainsbourg’s imploration to enhance your mood is given a frantic workout by Stereo Total and in this case, their toy electronic noisemakers are a welcome homage. Elsewhere this show, we have Carl King’s prog-rock-and-glockenspiel interpretation of Rebecca Black’s infamous “Friday” … and it’s quite the improvement.