
Ezra Furman • Twelve Nudes
Furman sounds like he’s barely keeping it together as he blasts through a set of classic rockers, loaded with riffs and swagger.
Furman sounds like he’s barely keeping it together as he blasts through a set of classic rockers, loaded with riffs and swagger.
This is salty, and tangy, and spicy, and sweet, like the musical equivalent of a Mexican tamarind candy. It sounds so Sixties and Seventies that it must be from Today.
Once above the canopy, it was impossible to see the green-winged hang-gliders that the archeologist and the mercenary had used to enter the Antananarivo bird sanctuary. Going through Customs had been dicey, the parts for the flying machines had been dispersed with various kinds of unassembled patio furniture, but the quality of the materials still stood out. Fortunately, the mercenary had brought up the Madagascar goth metal scene and distracted the functionaries into stamping passports and waving them through. They hadn’t even asked about the Geiger counter.
The name promises so much, and the band overdelivers. The continent of Australia is awash in lysergic excursions lately, and this is one of the finest.
The pilot felt the glider’s control surfaces bite into the updraft. The craft smoothly pitched up and right as the surreal Eastern Washington terrain unfolded beneath them. The plucky strains of a Bolivian polka filled the small cockpit, the whistling of the wind no true competition. Facing backward, the specialist peered at the techmapper. Somewhere below, there was something messing with the surveillance satellite and downing any powered aircraft that dared approach. Up ahead, the clouds were bunched up in a way any seasoned traveler of the skies could tell was just. not. right.
Punchy and punch drunk laments wrapped in glorious blankets of fuzz and overgained vocals.
After a long absence, the RockaTeens return with their trademark sonic assault, but with the reverb turned down a bit. They kick off this week's show with "Turn and Smile".
Another one-man rock act that wears its influences on its sleeve, but it’s well done so don’t take that as a complaint. Highly political.
This song by La Louma sure is a catchy anthem for us skeptics and cynics.
Fuzzy solo project from LA fixture Charles Moothart, with a DIY ethic clearly in place.