Jr. Jr. :: Invocation / Conversations
Delicious pop conconctions, loaded with clever production flourishes and infectious melodies wrapped around a soulful core.
Delicious pop conconctions, loaded with clever production flourishes and infectious melodies wrapped around a soulful core.
There wasn’t enough room on the narrow boat for the botanist to take out a handkerchief and wipe their brow. The square head vessel, slicing through the water on its way to the Phong Dien Floating Market, looked to be laden with mangos, but that was a ruse. The pyramids that piled the boat only a had a skin a single mango deep. Underneath were piles of something with about the same density as mangos, but much much more valuable. The captain twisted the knob on the cabin radio on hearing some narcopolka, the device’s limited capacity making the sound increase not in volume, only in distortion. The sun sparkled off the water, a thousand heat lasers evading the shade thrown by the wide straw hats they wore.
It’s not ska, and it’s not rocksteady, but it’s definitely Jamaican and powerfully dancy — you can call it “69 Reggae” after the year of its initial popularity.
Supremely introspective and carefully arranged, this collection of songs that range from lushly orchestrated to uncomfortably angular makes for a great moody journey
The archivist’s breath misted in the freezing vault as gloved hands lifted the metal canister off the shelf. Getting to Greenland had not been trivial, driving the snowcats to Nuuk undetected had been a challenge, and breaking into the Katuaq Cultural Centre’s secret collection room, dug out of the permafrost, could be described as difficult. Now, locating the footage was close to impossible, given the hundreds of linear meters of shelving that were visible. The producer unspooled the first few feet off the reel, peering up through the film to the overhead light. The muffled sound of Persian hip-hop could be heard from the theater above. Maybe it was not so impossible.
One time, this robot arm at the plant started going haywire, flailing around, it was going to kill someone. We played it some Com Truise and it calmed right down.
After serving 11 years backing Mark E. Smith, this bands breaks out into a dark rock sound, thrilling with its edgy energy and monster riffing.
The earth rumbled into an appropriate angle of repose as the bucket wheel ground to a halt. On the ground, the sapper raised an arm to signal to the operator, sitting high above in an air-conditioned cab as disproportionately tiny as a brontosaurus brain. The sounds of Taiwanese ragtime could be heard on the earpiece now that the excavator had stopped digging into the hard Upper Peninsula soil. This machine was capable of extracting tons of copper ore in a single hour, but now it was digging for something far more valuable.
Once a Ramone always a Ramone, one supposes, but this is closer to Southern California chug-core than gritty Queens punk. Nonetheless, a fun time.