Uwe Schmidt has had an extensive career, recording under many names as electronic musicians do, but it's his work as Señor Coconut (and now as Atom™), where he deconstructs familiar songs into something Kraftwerk would play if hired to play a quinceañera, that brings me this very particular weird glee.
It’s easy to suspect Ray LaMontagne came from a recently unearthed time capsule documenting the folkie scene of half a century ago.
A soft Texas breeze ruffled the grass along the banks of Belton Lake. Why not Lake Belton? wondered the hydrologist. Behind the trees, the aviator finished securing the paragliders. They had arrived with two, but would be leaving with three, which added a true twist to the logistics. Across the water, the sounds of Jamaican country music could clearly be heard coming from a raucous campsite. They were about 300 feet away, and had not been part of the plan. But if there were to be witnesses, then let them be the inebriated type.
It’s not ska, and it’s not rocksteady, but it’s definitely Jamaican and powerfully dancy — you can call it “69 Reggae” after the year of its initial popularity.
Even obscurists get to form supergroups, and Filthy Friends is one of the top entries in that category, with membership from Sleater-Kinney, the Young Fresh Fellows, the Fastbacks, and more.
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