Tag: The Bug Club

Everyone loves the Office Dog, and is giving it snacks in secret.

It’s the evening before Valentine’s Day, which means absolutely nothing here at lacking org. Instead, we’re opening up with the Sex Clark Five taking on the Byrds, and something from Norwegian up-and-comers Mall Girl, who manage to hold up a broken mirror to American indie rock without cutting themselves to shreds. Also, their bassist name-checks Laddio Bollocko. Also tonight, more splendiferous instrumental musings from the incomparable Matt Berry to kick off the Final Hour.

Joanna Sternberg is an open book, and you can’t keep from turning the pages.

There’s a whole new album from Wreckless Eric, a whole album, but tonight’s selection resonates for the simple fact that this is the third reference to the radium girls I’ve heard this week, all from very different sources. As we say around these parts, it’s a real plate ‘o shrimp. Also worth noting tonight is n-th track from the Bug Club’s Rare Birds album, which has so many good songs on it you’ll be hearing from them for months to come, and that’s even with not playing the ones with bad words.

The Streets are not your typical old-fashioned new-fangled crew.

Things started out normally, with a cover and an excellent new single from Waxahatchee, but took a turn for the unexpected when the highly-anticipated Cat Empire set went missing. Was it skipped over on the player accidentally? Had I forgotten to make a copy to bring to the station? Could I download it from the backup at home? After a couple of sets of troubleshooting, it turned out I had named the file incorrectly. These are the hazards you encounter as a live-in-the-studio DJ, kids.

The Mommyheads would like to know if you are OK, like really OK and not just saying that.

Tonight’s show kicks off with a long overdue hour of Version Control 10 — our special blend of songs that you might call “covers”. About a year ago, I filled three hours with covers, which leads me to believe something is messing with the covers ecosystem, and I have my theories. The middle hour was a regular Mixtape (if such a thing can be allowed), and the Final Hour was its usual rocketride mindtrip, a big thank you to all that came aboard.

Lewsberg wear their love for certain protopunk prototypes quite well.

I was not properly prepared to discuss Cat Power’s tribute to Bob Dylan’s 1966 Royal Albert Hall concert, and specifically where it was recorded, but now I can reveal the facts: the Cat Power recording was made at RAH. However, Dylan’s original recording was NOT made at RAH, despite the famous bootleg’s common name, instead having taken place in Manchester, a good ways away.