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When you’re closing out your fifth decade as a band, you might be expected to rehash all your tired tropes and package them as brand new nostalgia. Instead, this sounds like a lost album from the band’s golden era.
The female vocals have a child-like quality, and the bass-forward music hulks behind it, sometimes like a princess’ bodyguard, sometimes like a delicate clockwork contraption.
When Rob Crow gets to anthologize the songs he wants to cover into an album, the results are disparate, insightful, and educational, ranging from King Crimson to the Melvins to the Beach Boys.
A strange confluence of influences, with a lot of dynamic arrangements and plenty of weird hooks that shouldn’t work but are lethally effective.
Understated but solid set of songs with a strong female vocal presence. There’s a loving interlocking of guitar, bass, and keyboard lines that gives the music a rich and interesting texture.
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