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Understated but solid set of songs with a strong female vocal presence. There’s a loving interlocking of guitar, bass, and keyboard lines that gives the music a rich and interesting texture.
When you’re closing out your fifth decade as a band, you might be expected to rehash all your tired tropes and package them as brand new nostalgia. Instead, this sounds like a lost album from the band’s golden era.
The female vocals have a child-like quality, and the bass-forward music hulks behind it, sometimes like a princess’ bodyguard, sometimes like a delicate clockwork contraption.
Bachelor are in no rush to get to the end of the song, which makes it the perfect soundtrack for getting things done around the house, or alternately sinking into a deep bliss of angel volces, tapped drums, and faraway guitar solos.
When Rob Crow gets to anthologize the songs he wants to cover into an album, the results are disparate, insightful, and educational, ranging from King Crimson to the Melvins to the Beach Boys.
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