The Lacking Permanence

The Streets are not your typical old-fashioned new-fangled crew.

Presenting a collection of musical flatteries and facsimiles!

Things started out normally, with a cover and an excellent new single from Waxahatchee, but took a turn for the unexpected when the highly-anticipated Cat Empire set went missing. Was it skipped over on the player accidentally? Had I forgotten to make a copy to bring to the station? Could I download it from the backup at home? After a couple of sets of troubleshooting, it turned out I had named the file incorrectly. These are the hazards you encounter as a live-in-the-studio DJ, kids.

The Psychedelic Porn Crumpets would like to welcome you aboard and advise you to buckle in tight.

The Mommyheads would like to know if you are OK, like really OK and not just saying that.

Tonight’s show kicks off with a long overdue hour of Version Control 10 — our special blend of songs that you might call “covers”. About a year ago, I filled three hours with covers, which leads me to believe something is messing with the covers ecosystem, and I have my theories. The middle hour was a regular Mixtape (if such a thing can be allowed), and the Final Hour was its usual rocketride mindtrip, a big thank you to all that came aboard.

From the benthic depths, Ozric Tentacles rules their empire of resinous drone.

DJ Shadow, master of spin and finesse of fader, hits hard and in the nick of time.

Lewsberg wear their love for certain protopunk prototypes quite well.

I was not properly prepared to discuss Cat Power’s tribute to Bob Dylan’s 1966 Royal Albert Hall concert, and specifically where it was recorded, but now I can reveal the facts: the Cat Power recording was made at RAH. However, Dylan’s original recording was NOT made at RAH, despite the famous bootleg’s common name, instead having taken place in Manchester, a good ways away.