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Thick and syrupy, this is an American counterbalance to the heady psych-funk acts coming out of Australia recently, The interplay between jazzy elements and dense pop textures makes for a distinctive sound, drawing you into its warm fuzzy embrace.
A modern amalgam of fuzz, psychedelia, baroque pop, and over-the-top production, filled with hooks baited with earworms.
Sure, bring your slick neon-tinged indie rock in here. I don't care that you sprinkled keyboards and saxophones all over in addition to the stabbing guitars, distressed vocals, and plucky bass. It just needs a beat we can dance to.
Something’s in the water Down Under; there’s a veritable rainbow of guitar-forward fuzziness emanating from the land, and Bananagun is the kind that has a loose-limbed ability to pivot from genuine ‘60s jingleisms into full-out afrobeat.
Solid guitar and keyboard pop, on the gentle dreamy side, with whispery singing and sharp arrangements.
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