Double Date with Death • L’Au-Delà
Excellent garage psychedelia from Quebec that transcends any language barrier with its insistent guitars, lush textures, and thundering drums.
Excellent garage psychedelia from Quebec that transcends any language barrier with its insistent guitars, lush textures, and thundering drums.
Psychedelic surf music from Portland, impossibly catchy and off-the-cuff, built on riffs that bludgeon you like a deliciously dense spongecake.
The carpenter took a leisurely walk around the perimeter. In the weird light cone projected by the light they had installed at the top of the can, the ropes they had used to rappel down looked like the undulating tentacles of a mysterious jellyfish. Outside the cylindrical building that very deliberately resembled an oversized Coca Cola can, the security guard’s radio played Chicago sambas into the crisp Manitoba evening as he idly played his flashlight over the bushes outside. The choreographer stifled a giggle. On one of the ornithopters parked atop the domed top, next to an opening that looked like someone forgot to bring a canopener, a single LED began to blink. The mission was running out of time.
Intensely layered psychedelic outing from Brazil, with a collection of instrumentals and softly-sibilant Portuguese designed to transport you on a multicolored rainbow of spices.
The economist wondered where they’d be if the herpetologist had been available. Probably not prone under a cover of leaves, covered in protective armor, tapping two small bamboo sticks as a ruse to attract a golden lancehead. The rhythm was from the single Nordic folk d’n’b that had played on repeat 142 times on their trip out of the Port of Santos. It had been difficult to find a captain willing to land them on Ilha de Quemaida, so it was not wise to criticize their choice of music for the journey. The epidemiologist was nearby, peering into the carefully held vial and running the numbers on when it would be filled at the current rate of collection, and how quickly they could get off the island once that moment arrived.
Original psychedelic riff rock is an oxymoron … what matters is the ability to get you off your seat, which this band has aplenty
I really love Khruangbin, despite the pronounciation quandary they plunge me into whenever I play one of their songs.
Four chuggy songs showing great promise. From Canada.
The line between a riff and a throbbing structures of pitched rhythm is pretty thin, as these Canadians show. METZ is punishing without being abusive. A Steve Albini recording.
Relentless, pounding, and subtle beyond comprehension, these songs buzz by like a runaway saw, missing you by an eyelash.