Pearl Earl • Pearl Earl
Reverb- and keyboard-drenched psychedelia fronted by urgent female vocals. Out of Denton, TX, a town whose bands always deliver.
Reverb- and keyboard-drenched psychedelia fronted by urgent female vocals. Out of Denton, TX, a town whose bands always deliver.
Trent Reznor delivers more biting digial/analog fusion, with dark synth pads abetted by darker guitar tones.
A bold performance from Katie Crutchfield, who bares her heart and rips her chords out in a cathartic explosion that eventually winds down into a somber mood.
Lush pop with strange turns of melody and complicated hooks.
It’s all in the name… fast and fuzzy blow-up-in-your-face pop punk. With an attitude. These songs are all covers, but they’re from unknown/unsigned bands, so point to you, Teenage Bottlerocket.
Noisy blunt riff punk from Bordeaux, France, via Oh Sees label Castleface Records. Live, raw, and nearly unintelligible, this album showcases a rare moment in time for this two-piece.
Female-fronted alt-rock with sparkly pop sensibilities that sounds straight out of the ‘90s
Is it possible to overuse the word “swirly” when describing modern psychedelia? Not at all! This paisley-hued collection of dream and drama will transport you to a kaleidoscopic land of… where was I going with this?
Kate Stables is a one-woman tour-de-force, and this John Parrish production brings her talents to the front. Weird time signatures, off-kilter melodies, and quite inventive arrangements.
Alabama native Lee Bains III and three other guys recorded these 17 anthems of southern-fried disillusion live to two-track, and the energy is pegging the needle. It’s not a new sound, but it’s very well done.