The Districts • Popular Manipulations
Anthemic songs filled with dramatic dynamics and playing that ranges between thunderous and ethereal.
Anthemic songs filled with dramatic dynamics and playing that ranges between thunderous and ethereal.
Aggressive, guitar-inflected punk, led by females unafraid to yell out lyrics in Spanglish… either precisely your cup of tea or an aggravating experience,
At the extreme end of DIY is DEY — do everything yourself. It’s a unique solipsistic sound, and Stoltz is very good at it, blending a variety of rock, psych, and synth influences into his own sound.
Tight set of songs from Australian native Cloher, a key figure in the Melbourne DIY scene that yielded Courtney Barnett. Brimming with character and fearlessness, this has the feeling of a brilliant debut to a stellar career.
Garage rock revivalists from Sweden, guaranteed to make your monkey dance.
A delicate and introspective set of self-recorded songs from an Alabama native that sound like they unspooled as Caroline Sallee sat by a Greyhound window, watching miles of Western US highways roll by. Because that's what it is.
The name is jokey but the songs are seriously warped surf-style instrumentals with occasional vocals and other trickery.
Aggressive sounds from Canadia. Driving rock anthems with well-defined melodies, chugging guitars, and galloping bass.
Dinosaur rock is alive and well here, and Coffey + Co deliver some great stuff that sounds like it came out of a 1970s time capsule.
A tribute to Allen Touissant organized by Stanton Moore, who plays drums for Galactic and many other New Orleans institutions. Featuring an all-star cast of NO funk and R+B luminaries, this collection of slickly produced proto-funk has something for everyone.