Born Ruffians • SQUEEZE
The second release in less than a year from this outfit continues along the same path, which is to say meticulously crafted indie guitar mini-symphonies.
The second release in less than a year from this outfit continues along the same path, which is to say meticulously crafted indie guitar mini-symphonies.
Taking their name from Australian slang for something not good, The Chats are here to strike fear in the hearts of parents and guidance counselors across the globe.
You never know what to expect from Deerhoof, even if your list contains “sound art medleys improvised out of musical themes recognizable and unrecognizable”
That loose groove on the drums, the casually menacing bass, and Mike Doughty’s stream-and-consciousness narration… there’s also no shortage of political commentary on these three songs, putting a bold face on topics most others approach obliquely.
Not unlike fine Swiss clockwork, the duo that calls themselves Yello have been ticking for four decades without missing a beat.
The Just Joans keep it in the family, and they keep it fairly civil, covering their lethally caustic Scottish wit in a layer of pleasant pop.
Bands mashing together sounds from different musical traditions, usually throwing in some modern electronic affectation, can be hit or miss. Asian Dub Foundation has a long history of hitting it out of the park, and this is no exception.
Listening to Fantastic Negrito is like lifting the lid on a simmering pot to a wonderfully exotic yet very familiar blend of spices.
A sparse yet not simple outing for this member of the Dead Milkmen, including some truly folksy stuff like the title track and “Cool Water”, and surprisingly sophisticated original tracks delivered in the same man-and-his-acoustic guitar aesthetic.
Bill Callahan has been wandering the halls of music for quite some time now, his deep voice and aimless arrangements a constant hypnotic presence.