· details
Wales has always had an abnormally high number of interesting bands per capita, and listening to these early ‘80s reissues it’s obvious that Datblygu, whose unique style can range all over the musical map while remaining recognizable, is why.
Kid Congo Powers has a musical resume you wouldn’t believe, and this particular outing for his talents is garage psychobilly supreme, a wonderfully uncouth expression of much-needed sophisticated boom boom.
Hard to believe how affordable advanced lighting for your basement disco warren has become — you can transform the small room into a raging den of chill and/or libido, simply by purchasing a couple hundred dollars worth of lights and playing this.
Like many Australian things, this band is somewhat recognizable yet clearly evolved in a different context. There are many different influences interleaved, from the Caribbean to the Highlands to Eastern Europe and of course, a tinge of that Oz punk.
Nothing can foil the pigeonholing into a genre like a clarinet. The band uses this and other analog sounds to weave minimalism and maximalism, presenting recognizable indie or songwriter tropes before smashing them in their musical supercollider.
lacking.org