
Frankie Cosmos • Close It Quietly
Sweetness and sunshine without overstepping into cloying and saccharine, with chiming guitars and subtle keyboard hooks providing a bed for clear female croonings.
Sweetness and sunshine without overstepping into cloying and saccharine, with chiming guitars and subtle keyboard hooks providing a bed for clear female croonings.
Awkward jams that nonetheless stick in your head on repeat, with highly-detailed production and a decidedly noir feel.
Furman sounds like he’s barely keeping it together as he blasts through a set of classic rockers, loaded with riffs and swagger.
Caravan Palace uses old-fashioned swing music for its digital building blocks and emerges with something like audio caffeine
Heavily influenced by surf music and pre-psychedelic jangle, this collection of songs show a lot of energy and musicality, with Jean’s nicely hyper-reverberated guitar sharing the spotlight with her hypnotic vocals.
Understated but solid set of songs with a strong female vocal presence. There’s a loving interlocking of guitar, bass, and keyboard lines that gives the music a rich and interesting texture.
The clown kings of LA punk are back with their (so-far) commercially-unviable yet overwhelmingly fulfilling mix of bad attitude and party rock.
Straight and true from the source of power pop, the Rubinoos deliver carefully crafted AM radio gems filled with detailed arrangements, sharp turns of melody, and glorious harmonious infectious hooks.
Girl-forward pop-punk with a harder edge, the type where dissonant guitar stabs merge into gloriously harmonized chorus hooks.
The nostalgic approach strikes gold, as this goes back to the heyday of ‘60s girl groups, with heavenly vocals, shimmering production, and deep hooks that you will have a hard time shaking off.