
French Vanilla • How Am I Not Myself?
Hot-as-fire punk disco party with a raging saxophone and urgent female vocals.
Hot-as-fire punk disco party with a raging saxophone and urgent female vocals.
The name promises so much, and the band overdelivers. The continent of Australia is awash in lysergic excursions lately, and this is one of the finest.
Delicious pop conconctions, loaded with clever production flourishes and infectious melodies wrapped around a soulful core.
It’s not ska, and it’s not rocksteady, but it’s definitely Jamaican and powerfully dancy — you can call it “69 Reggae” after the year of its initial popularity.
Supremely introspective and carefully arranged, this collection of songs that range from lushly orchestrated to uncomfortably angular makes for a great moody journey
One time, this robot arm at the plant started going haywire, flailing around, it was going to kill someone. We played it some Com Truise and it calmed right down.
After serving 11 years backing Mark E. Smith, this bands breaks out into a dark rock sound, thrilling with its edgy energy and monster riffing.
Once a Ramone always a Ramone, one supposes, but this is closer to Southern California chug-core than gritty Queens punk. Nonetheless, a fun time.
This Florida garage-rock combo provides complete party in audio format, featuring regrettable debauchery, frenzied dancing, and a desire to not have the fun ever end.