
Kelley Stoltz • Que Aura
At the extreme end of DIY is DEY — do everything yourself. It’s a unique solipsistic sound, and Stoltz is very good at it, blending a variety of rock, psych, and synth influences into his own sound.
At the extreme end of DIY is DEY — do everything yourself. It’s a unique solipsistic sound, and Stoltz is very good at it, blending a variety of rock, psych, and synth influences into his own sound.
Tight set of songs from Australian native Cloher, a key figure in the Melbourne DIY scene that yielded Courtney Barnett. Brimming with character and fearlessness, this has the feeling of a brilliant debut to a stellar career.
Garage rock revivalists from Sweden, guaranteed to make your monkey dance.
A delicate and introspective set of self-recorded songs from an Alabama native that sound like they unspooled as Caroline Sallee sat by a Greyhound window, watching miles of Western US highways roll by. Because that's what it is.
The name is jokey but the songs are seriously warped surf-style instrumentals with occasional vocals and other trickery.
Aggressive sounds from Canadia. Driving rock anthems with well-defined melodies, chugging guitars, and galloping bass.
Dinosaur rock is alive and well here, and Coffey + Co deliver some great stuff that sounds like it came out of a 1970s time capsule.
A tribute to Allen Touissant organized by Stanton Moore, who plays drums for Galactic and many other New Orleans institutions. Featuring an all-star cast of NO funk and R+B luminaries, this collection of slickly produced proto-funk has something for everyone.
Reverb- and keyboard-drenched psychedelia fronted by urgent female vocals. Out of Denton, TX, a town whose bands always deliver.
Trent Reznor delivers more biting digial/analog fusion, with dark synth pads abetted by darker guitar tones.