Hat tip to Widgett Walls (look up his eclectic bedlam on Mixcloud), who provided the insight on this completely unnecessary yet absolutely important reference on various handheld foodstuffs, visualized and animated in an assortment of angles.

Electropunk seems to be a fitting soundtrack as the timeline veers towards A Clockwork Orange. As the riot rages on, the line between repetition and riff is trodden on until it's no longer visible, and the crowd surge begins to resemble a dance.

It's somehow light and airy, yet moody and brooding, and though it should be easy to find the half-whispered croon of the vocals creepy, it's just the sound of someone taking you in confidence as they lead you into the deep, dark forest.

Andy Bell invites you to join him on an interstellar-slash-transcranial groove expedition.

Des Demonas and their angry political organ grind are my new obsession.

Absorbing the dubbiest elements of the classic Manchester grooves of the late '80s, this Welsh musician makes the timespan contained within feel like the blink of an eye, even with an 8+ minute banger in 7/4 in the middle of it all.

The weather is rushing up on us, and this mercurial ambiance fits tonight’s opening cover from Yo La Tengo, as they take a blistering Ramones classic and turn it into a bit of beach blanket bingo. Respect was paid later in the show with the original “Rockaway Beach,” which sure sounds like a fun place.

The year 1991 was when we heard the echoes of Loveless as the recorded work of the many bands it inspired hit the shelves in a shimmering gauzy implacable tsunami of guitar wails, only to be crushed by the mud-encrusted tank treads of grunge.

Does this Fat Freddy have anything to do with Shelton's Fabulous Furry Freak Brothers? Intentional or not, these compositions mixing reggae, funk, soul, dub, and other cannabis-friendly genres are a good way to spend an unproductive afternoon.