Jealousy is an intense driving artistic force, and nowhere is this more evident than with the recent tradition of releasing a covers album. These selections from Nilsson Schmilsson show a good variety of styles and approaches.
Glaspy’s voice is a broad crooked smile, unique in its shape and well-suited for this particular set of laconic jangle.
Not exactly dance music, but very danceable music, filled with intricate pop arrangements, sly lyrics, and impeccable production.
Finely crafted pop songs dressed up in rock outfits, shifting moods and approaches with every track.
Tjinder Singh’s easygoing voice and melodies, and penchant for carefree sunny grooves sits well at the center of this multicultural stew, where flute accents weave in and out of the loops.
Intricate blue-eyed soul arrangements and a heavenly female pop singer intersect into something decidedly sturdy and magnetic.
Edgy and propulsive in a way that fills songs with multitudes of hooks and excitements, alive with nervy energy and unafraid to fit it all in under two minutes.
If you grew up on videogames, the frenetic multilayered synths will sound like the final moments of a big boss battle. If not, it sounds like a bunch of live Casio keyboards being sent down the garbage disposal. In a good way.
The Black Lips are like looking outside the bar window and seeing country and punk having an argument then a fistfight.
The Just Joans are the sonic equivalent of tartan… between the girl group influences, the pitch-perfect pastoral pop, and a sense of humor as black and bitter as truck stop coffee, they could not be more Scottish.
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