· details

Yello • Point

Polydor • released 2020-08-28

The recipe for Yello’s bass-heavy, rhythmic, mid-tempo groovecake has not changed in forever, and it still makes the ideal soundtrack for putting on your sunglasses and slouching down in your seat.

The recipe for Yello’s bass-heavy, rhythmic, mid-tempo groovecake has not changed in forever, and it still makes the ideal soundtrack for putting on your sunglasses and slouching down in your seat.
Archives

Approximately Relevant

View Archives »
Wagon Christ &bull; <i>Recepticon</i>

Wagon Christ • Recepticon

Some people will slice and dice their way to a hostile disjointed soundscape filled with vague unease, but Wagon Christ’s approach yields something sunnier and wholesome, like fruit salad.

Art d'Ecco &bull; <i>Serene Demon</i>

Art d'Ecco • Serene Demon

Sure, bring your slick neon-tinged indie rock in here. I don't care that you sprinkled keyboards and saxophones all over in addition to the stabbing guitars, distressed vocals, and plucky bass. It just needs a beat we can dance to.

Ale Hop & Titi Bakorta &bull; <i>Mapambazuko</i>

Ale Hop & Titi Bakorta • Mapambazuko

Opening track "Una Cumbia En Kinshasa" easily sets the stage for this transcontinental sound melange, a collaboration between Peruvian-born, Berlin-based Hop and Congolese soukous guitar player Bakorta. It's full of joy and weird production touches

Lambrini Girls &bull; <i>Who Let The Dogs Out</i>

Lambrini Girls • Who Let The Dogs Out

This duo from Brighton wander through a variety of topics over the course of eleven tracks, and as they pound their way through a high-octane set of rage-inducing hardcore punk, they would like you to keep your fat mouth shut and listen for once.