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The recipe for Yello’s bass-heavy, rhythmic, mid-tempo groovecake has not changed in forever, and it still makes the ideal soundtrack for putting on your sunglasses and slouching down in your seat.
Some people will slice and dice their way to a hostile disjointed soundscape filled with vague unease, but Wagon Christ’s approach yields something sunnier and wholesome, like fruit salad.
Sure, bring your slick neon-tinged indie rock in here. I don't care that you sprinkled keyboards and saxophones all over in addition to the stabbing guitars, distressed vocals, and plucky bass. It just needs a beat we can dance to.
Opening track "Una Cumbia En Kinshasa" easily sets the stage for this transcontinental sound melange, a collaboration between Peruvian-born, Berlin-based Hop and Congolese soukous guitar player Bakorta. It's full of joy and weird production touches
This duo from Brighton wander through a variety of topics over the course of eleven tracks, and as they pound their way through a high-octane set of rage-inducing hardcore punk, they would like you to keep your fat mouth shut and listen for once.
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