
Panda Bear • Buoys
Multilayered excursions into the analog and digital realms, blurring everything into a psychoactive tapestry.
Multilayered excursions into the analog and digital realms, blurring everything into a psychoactive tapestry.
The vessel floated silently across the Mississippi, as silently as a hovercraft possibly could, which was not very silently at all. The two occupants of the walnut-paneled bridge listened intently to the sounds of the radio above the drone of the fans, one of them spinning the wheel with wild abandon, the other plotting an imaginary course over river and land using a nubby pencil and printed map. The sextant lay unused, for it was, after all, night.
Eminently danceable and frequently dark, this is what robots put on to seduce each other
It was a jam-packed evening, and we even got to fit in a request for Mission of Burma for Generoso and Lily, listening over the satcom from their armored zeppelin thrumming over the Iowa cornfields. Also: the world needs more Franklin Bruno.
Punchy and punch drunk laments wrapped in glorious blankets of fuzz and overgained vocals.
Well-produced synth / indie pop, with clear female vocals and a variety of styles, from dance-floor anthems to wispy desert ballads.
Hailing from the original wave of shoegaze, the band delivers the expected dosage of swooping guitar amidst dream-state vocals and rock rhythms
The beat rules supreme, the instrumentation is slinky, the vocals are coaxing you to the dance floor, and the whole thing says you’re going to be up all night.
Snow was expected, but never showed up. Suits me fine. Surprisingly, this is the third episode of 2019, and I’m warming up to the hectic weekly pace. Thanks to Mark, Generoso, Lily, and Robin for tuning in and triumphing over the depths of midwinter midnight.