Olivia Jean • Night Owl
Heavily influenced by surf music and pre-psychedelic jangle, this collection of songs show a lot of energy and musicality, with Jean’s nicely hyper-reverberated guitar sharing the spotlight with her hypnotic vocals.
Heavily influenced by surf music and pre-psychedelic jangle, this collection of songs show a lot of energy and musicality, with Jean’s nicely hyper-reverberated guitar sharing the spotlight with her hypnotic vocals.
Understated but solid set of songs with a strong female vocal presence. There’s a loving interlocking of guitar, bass, and keyboard lines that gives the music a rich and interesting texture.
The clown kings of LA punk are back with their (so-far) commercially-unviable yet overwhelmingly fulfilling mix of bad attitude and party rock.
Straight and true from the source of power pop, the Rubinoos deliver carefully crafted AM radio gems filled with detailed arrangements, sharp turns of melody, and glorious harmonious infectious hooks.
Girl-forward pop-punk with a harder edge, the type where dissonant guitar stabs merge into gloriously harmonized chorus hooks.
The nostalgic approach strikes gold, as this goes back to the heyday of ‘60s girl groups, with heavenly vocals, shimmering production, and deep hooks that you will have a hard time shaking off.
With so many new bands discovering and repurposing the swirling sounds of shoegaze, it’s no wonder original trailblazer is back with another collection of guitar-heavy near-instrumentals.
Americana with a punk-ass louche attitude always makes for a good bawdy time.
It’s an old recipe but it never fails: Mix some high-energy guitar rock, the kind with chuggy riffs, and put a female voice strong enough to withstand the maelstrom on top.
This is kept stripped-down and acerbic, completely aligned with the band’s original punk-folk ethic.