Geordie makes good use of a voice that's as smooth as silk and a delivery that promises the utmost reliability, but it's not making a discernible effort to distract from the wonderful glitchiness and complication that hides in the background.
Insistent angular weirdfunk, songs that sound like tape loops that have fallen out of order and yet maintain a diligent desire to be songs.
“Charmingly abrasive” sounds like an oxymoron, but it is certainly something that describes music like this, angular sounds and a distraught female voice rambling on about blue tits, and I don’t think she means birds.
The female vocals have a child-like quality, and the bass-forward music hulks behind it, sometimes like a princess’ bodyguard, sometimes like a delicate clockwork contraption.