Posthumous releases are always a tricky proposition, but Sharon Jones was a talent literally larger than life, and the combination of her of deep rich voice slathered over the funky Dap Kings has yet to fail.
With its Byrds-inpired jangle, harmonized “whoah-oh”s, and overflowing nervous energy, this could very well be an unearthed recording from the liminal era between “new wave” and “alternative”.
It’s been a while, but Elvis Perkins’ songwriting chops remain as lush as ever, an unexpected oasis of skewed harmonies and surprising arrangements in a dry sandy desert of plinky singer-songwriters.
Weird manic indie funk-verging-on-pop with a weird manic sense of humor and they’re not afraid to throw in a horn section here and there to bolster their hooks and riffs.
Yes, it’s the Drive-By Truckers, and they remain consistent to their deep Southern roots, but I had to keep checking the player to see who was sounding exactly like Dinosaur Jr. or riffing off Hall and Oates.
The Budos Band have a distinctive sound that blends afrobeat, funk, and a herd of thundering elephants that could also be one of the most aggressive brass sections around.
I can’t tell if having a name that sounds like something SNL cooked up for a sketch about a pair of Austrian DJs is good or bad for this pair of Austrian DJs. These soulful electronic compositions unearthed from the last century are no joke, though.
Visiting exotic destinations has become an armchair pastime lately, and if you need a soundtrack for your virtual excursions to places far and strange, this futuristic mix of global beats and funk grooves is surely your ticket.
Some people will slice and dice their way to a hostile disjointed soundscape filled with vague unease, but Wagon Christ’s approach yields something sunnier and wholesome, like fruit salad.
This is the third release in a series of benefit cassette (and digital) releases, all featuring covers of music that is sometimes brazenly obscure, and this one is my favorite of the lot.
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