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Of course, when it’s Sir Paul doing the pandemic recording, it’s old hat to play all the instruments, this being his third such truly solo album. Like the others, it exists in the McCartney continuum of eternal rock and roll.
Ty’s arsenal of instrumentation continues to grow, as he fills out his domain of prog-rock, stoner drones, glam trash, and other Seventies detritus with keyboards, more keyboards, and an evolving sense of studio wizardry.
Twenty years ago, Grandaddy’s banged-up future was wrapped up in heavy production… now that has been stripped out, leaving only Jason Lytle, his songs, his piano, and his characteristic keening on inevitable observations.
Jealousy is an intense driving artistic force, and nowhere is this more evident than with the recent tradition of releasing a covers album. These selections from Nilsson Schmilsson show a good variety of styles and approaches.
This is salty, and tangy, and spicy, and sweet, like the musical equivalent of a Mexican tamarind candy. It sounds so Sixties and Seventies that it must be from Today.
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