If the name didn’t give it away, there is a very distinct beach slash surf feeling to San Diego’s Wavves and their sun-glittered sounds.
There are several sounds that are most definitely British, and with their clear soaring female vocals and intimate indie pop sensibility, The Catenary Wires are a textbook example of one of them.
At a time when we need the positive carefree sound of French yeh-yeh the most, April March comes through with a spicy new number.
The Fogerty Brothers are putting their upbringing to good use in the genuinely psychedelic outfit Hearty Har, parsing the electric sitars and paisleys of long ago into a legitimate translation.
The Scientists have been conducting their Australian experiments in proto-punk for over four decades now, and it’s surprising that they’ve yet to publish in a peer-reviewed journal.
Juliana Hatfield is once again in the middle of an unstoppable creative streak, now mixing her needle-sharp pop sensibilities with some truly out-there production.
As individuals, Jay Som and Palehound each have their musical quirks and unique style. Together as Bachelor they plot a strange new course through the realm of dream pop.
The Ghoulies from Perth, Australia look like regular blokes caught out grocery shopping, but the sound they make is an urgent, insistent punk rock howl with a frenetic keyboard bubbling through.
I will let you in on a secret weakness: a band like The Rare Occasions can seize control of my playlist just by showing up with a surplus of pop hooks and grade AAA harmonies.