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Dean Wareham &bull; <i>That’s the Price of Loving Me</i>

Dean Wareham • That’s the Price of Loving Me

Using Lou Reed at his happiest as a baseline is a risky gamble, but one that has paid off for Wareham in various projects. In a solo setting it comes across as slightly overmedicated, pleasant indie rock that is never tedious yet also never grating.

Clinic &bull; <i>Fantasy Island</i>

Clinic • Fantasy Island

In this sterile brushed steel and gleaming plastic environment, underneath the tangles of tubing and wires and chirping electronic devices operating at their own rhythms, below the readouts and blinking lights, beats a mighty analog heart.

Sleigh Bells &bull; <i>Texis</i>

Sleigh Bells • Texis

Glittery pop vocals fronting a relentless barrage of digital soundbites, shy loops emerging from behind percussive blasts as guitars interrupt with fuzzed yelps or delicate strums… it’s a little bit of everything, and sometimes just enough.

Dan Deacon &bull; <i>Mystic Familiar</i>

Dan Deacon • Mystic Familiar

If you grew up on videogames, the frenetic multilayered synths will sound like the final moments of a big boss battle. If not, it sounds like a bunch of live Casio keyboards being sent down the garbage disposal. In a good way.