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They hit hard and they hit fast, with half of the songs here clocking in at two minutes or less, but they also hit sweet, with layers of boy-girl harmonies and drizzles of horn section.
It is difficult to make lush pastoral pop like this without going completely overboard into schmalz territory, but this band manages quite well, carefully draping their orchestral tendencies over a solid base of interesting songs.
This extensive 100-song collection highlights a song from each year of the last century and delivers it with a bluegrass tinge and Stampfel’s distinctive yawping … it’s not pleasing to everyone, but it’s hard to argue with the encyclopedic choices.
Like the whoomp from pouring too much firestarter on and throwing the match in, this band is in your face, exciting and a bit scary at the same time, with its snarling guitars, sneering vocals, and the heft of every possible item in the garage.
Camilo Lara teams up with some influences from the southern hemisphere to bring about this collection of decidedly cumbia-inflected tracks. The sounds lean heavily towards the casiotoned but are expertly counterbalanced with orchestral decorations.
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